Zeke Reilly's picaresque adventures are like nothing else in recent fiction. McIrvin's witty absurdities shape a critique of American culture and society that is unforgettable for its wit and biting irony. Zeke himself is an amazing character, like someone escaped from a Dickens novel to America, where he has gone terribly wrong. The conclusion of the novel is a magnificent set-piece of transcendent insight and beatitude, a coda of unexpected beauty. An exceptional book by a highly individual writer. William Doreski, Professor of creative writing and literature at Keens State University. His many literary criticism titles include Robert Lowell's Shifting Colors and The Modern Voice in American Poetry. His most recent poetry collections include Suburban Light and Pianos in the Woods.
Having read McIrvin's epic poem, Dog, I looked forward to reading his novel Deja Vu and the Phone Sex Queen. McIrvin's work is steeped in Native American myths, and so it was natural that the story under review should itself be a myth--the long journey of the guilty narrator (there is murder early on) in search of an answer to why, he, the narrator, suffers no remorse. Along the way we meet the lost souls that travel every roadway. The reader will be enriched, as I have been, by McIrvin's narrative, which is told beautifully, with the tension and grace necessary in all art. Simon Perchik, Poet and Author
Michael McIrvin's 'Deja Vu and the Phone sex Queen' is a complicated and multilayered novel of the first order. It's protagonist, Zeke Reilly, is beset by incomprehensible visions. He commits a terrible crime and cannot understand why; fleeing, he encounters the phone-sex queen and the two fall in love. Their journey at right angles to the world leads them to the lands of the Aztec, Mayan, and Toltec Indians, wherein lies the secret of the bizarre visions. Ironic, laced with a tongue-in-cheek world view, and a critical gauge of how mass culture tends to overwhelm and subsume all without so much as a by-your-leave. 'Deja Vu and the Phone Sex Queen' is a singularly unique, unforgettable, highly recommended work. Midwest Book Review
In addition to its intriguing title, Deja Vu and the Phone Sex Queen poses an intriguing set of questions about life, love, and death. The story concerns two damaged people [Zeke Reilly and Cindy Sweet] and their attempts to find love amid circumstances that conspire to undo their relationship. The search for purpose dominates Zeke's and Cindy's lives and ultimately takes them on separate paths. He must continue south through Mexico to escape the bounty hunters on his trail. She must stay in Denver to take care of business. All the while they attempt to reconcile their inner discoveries with the press of events.
Author Michael McIrvin has a talent for developing a page-turning plot, and he draws interesting characters from many walks of life. McIrvin dramatizes a number of important philosophical questions, and he is brave to grapple with them without compromising his tough-mindedness. Tim Brown, for Rain Taxi: Review of Books, vol. 7 No. 1, Spring 2002."
"... McIrvin's novel is rich with meaningful insights about the conflicts between ancient and modern, primitive and civilized cultures. Above all, McIrvin dramatizes the burden and the anguish of living in a modern civilization." John Minton, Professor of English (Emeritus), Century College
"Not since I was a very young man reading Kerouac's 'On the Road' have I been as excited -perhaps entranced would be a better word- by the raw energy and highly charged encounters of a fictional journey as when I picked up Michael McIrvin's 'Deja Vu and the Phone Sex Queen' and began the odyssey of a remarkable character, Zeke Reilly. ... Zeke Reilly is a Chosen One. And there are among us the Chosen. Michael McIrvin is one of the Chosen Ones. He has been given the eyes to see us as we are and the voice to tell our story. 'Deja Vu and the Phone Sex Queen' instructs me in the way I want books to instruct me. I can see myself more clearly, my place in the web of our common humanity. And I am roused from my lethargy to take a stand. I urge you take this journey of a remarkable man as it is told by a remarkable author." John Freeman, for American Book Review, Nov.-Dec., 2002.